There have been a few requests for more information pertaining to auditions for “Beyond a Reasonable Doubt”.  I am happy to oblige with some interpretation of the work and characters.

Basics: there are two main roles, Ruth Ballard and Kenneth Hayes, both early to mid-thirties.  A smaller male role for a Guard is also available.  The setting will be the interview room of a women’s prison in the mid-1980’s.  There are 2 acts of about 45-50 min each.  Ruth and Ken are onstage almost 100% of the time, so the line load is heavy. There are no roles suitable for youth.

Rehearsals will be determined after casting by agreement, as we have a small cast to work with.  Expect 2-4 hours total per week in rehearsal, not including memorization and character work expected of every actor on their own time.

Synopsis: Two dynamic lawyers are locked in a clash of wills and morality. Ruth Ballard is an embittered radical, now in jail, accused of participating in a bank robbery and the subsequent killing of a police officer.  She chooses to represent herself as attorney. Kenneth Hayes is the assistant district attorney assigned to prosecute her. Once, they were classmates, and more,  in law school—now they are two lawyers with very different views on the nature of justice. Their conflicts, legal and personal, probe the nature of our criminal justice system and the  dichotomy between logic and compassion.

Kenneth Hayes: Born into a poor family, Ken has pulled himself up by his bootstraps to get where he is today.  He is searingly intelligent and methodical, and has been taught by a life of hard work and study that there is no excuse for cheating the system or opposing law and order.  Ken would believe that there is no fundamental difference between stealing because one has need and stealing with criminal intent. The law is the law.  He is not a malicious person; rather he simply believes strongly that one must draw a hard line and have an equal standard, or society simply cannot practically function.

Ruth Ballard: Ruth is an in-your-face, assertive woman and a strong activist for social justice.  She is easily as intelligent as Ken, but much less calculating.  Her strength lies instead in her indomitable passion for what she believes is right.  In contrast to Ken’s carefully constructed and sometimes subtle methods, Ruth makes no apologies for her intentions and prefers to argue on principle, rather than via procedure.  Her view on the law is that ignoring the human element inherent in each and every case coldy avoids what is essentially pertinent to every case – intent and motivation.  These, in her view, are what determines ethical culpability – not an action in and of itself.  Ruth has a criminal record of minor offenses associated with her various advocacy movements.

Note: At one point in the play, the script does call for Ruth to briefly strip down to bra and panties (in a non-sexual context).  The actual blocking may be somewhat more conservative than this, but if the concept bothers you, you are advised not to audition for the role of Ruth.

Guard: While having far fewer lines than Ruth and Ken, Marty the prison guard is by no means a two-dimensional character.  He knows of what this woman is accused… she is a cop-killer.   Ruth and Ken were personally involved with each other in law school.  But this case is personal to Marty too; he likely knew the officer killed in the crime under trial, and the struggle between his emotional anger and his sense of duty to the rules of his profession is apparent in every scene.

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Open auditions will be held Saturday, March 20th.  The format will be cold reading.  Please contact the Stage Manager (karen@avthespians.org) if you intend to audition or if you have further questions regarding audtions.